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Garbo on Set - Part II



USA 1925 - The Temptress

   

Director Mauritz Stiller had his camera operator film Greta Garbo and Antonio Moreno with a hand-held camera on April 17, 1926, for the nightclub tango in The Temptress.

 

 

USA 1926 - Flesh and the Devil

    
    

 

USA 1926 - Adam and Evil

Garbo on the set of Adam and  Evil. Released in 1927.

 

USA 1927 - Garbo and Lillian Gish

  

On April 21, 1927, Garbo was photographed for the first time in six months. She had just returned to MGM to star in Anna Karenina, and was visiting silent actress Lillian Gish on the set of Victor Seastrom's The Wind.

“I heard one day that she had lost her only sister,”
wrote Gish, “and I sent her flowers and a note. Garbo [later] came to thank me, but she could not speak English. Tears came to her eyes, but I could not speak Swedish so I put my arms around her and we both cried. I knew how I would feel if I had lost my darling sister and could not get to her from a strange, far land.”

The photo was used and made for publicity reasons.

 

USA 1927 - Love

   

Garbo on the set of Love, photographed by Clarence Sinclair Bull.

   

 

USA 1928 - The Divine Woman

The Swedish stars: Lars Hanson, Greta Garbo, and Victor Seastrom (actually Sjöström) working together on The Divine Woman.

 

USA 1928 - The Mysterious Lady

 

The camera crane had not yet been invented, so William Daniels used a forklift to have his camera descend the stairs with the actors in The Mysterious Lady.

 

 
 

SOURCE
Greta Garbo: A Cinematic Legacy – by Mark A. Vieira

 
 

Garbo on Set

 
 
Introduction
 
 
Part I  
 
 
Part II 
 
 
Part III
 
 
Part IV
 
 
Part V 
 

 

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