Patrick McGilligan's insightful review of "Garbo" (April 2), a biography by Barry Paris, gives the impression that the world's most celebrated film star was, in her private life, "a lonely, pathetic woman" and "an empty vessel."
As a close friend and neighbor of Garbo's in New York for many years, I find it a disservice and a pity that film scholars like Mr. Paris perpetuate this counterfeit portrait that does not honor the woman behind the actress. I was privileged to know the private Garbo.
She was a highly intelligent, self-effacing, generous and kindhearted woman, and she had a delicious sense of humor. The reviewer notes the chapter on "Garbo's puzzling sexuality" and quotes Mr. Paris's assessment that she was "technically bisexual, predominantly lesbian and increasingly asexual as the years went by." I think not.
Walter Wanger, who produced Queen Christina, told me in the 1960's that Garbo was the most sexually alive woman he had ever worked with, and added, "There is nothing she doesn't know about sex!"
"I think it is fair to say that a same-sex relationship was her obvious choice, despite numerous affairs with men", she once told me, "Homosexual love without discretion and dignity, if flaunted, is sordid." Garbo was haunted by a private code of conduct, trapped by the mores and traditional old-fashioned values of her generation.