On January 26, 1935 Garbo surprised all of Hollywood, and, by way of wire services, all of America, by showing up at an exclusive nightclub, the Café Trocadero. When she appeared in the foyer at 11:30 p.m., patrons gaped in disbelief. The orchestra stopped playing. It just could not be. But there she was, wearing a tailored suit and a tie, accompanied by French director Marcel Archard, Salka Viertel, Gottfried Reinhardt, and his father, Max Reinhardt.
The club’s owner, Billy Wilkerson, signalled to the conductor to resume playing. The headwaiter rushed over and whispered: “I can give you a table in a corner where no one will see you.” Garbo said that she would prefer to sit at a table adjoining the dance floor with Princess Natalie Paley and Felixe Rollo, a purported Egyptian prince.
Nearby tables in the nightclub were occupied by Hollywood notables such as Ernst Lubitsch, Louis B. Mayer, Lili Damita, Walter Wanger, Fritz Lang, and Marlene Dietrich. “You never saw so many women in severely tailored suits,” wrote Harrison Carroll in the Evening Herald-Express.
Mayer smiled across the room at Garbo. Lubitsch came to her table to say hello. Damita’s date, arriving late, mistook Garbo for Damita and slapped her on the back, saying, “Hello, Toots.” Garbo took it in stride. Wanger asked Garbo for the first dance. “No, not tonight, Walter,” she replied. “This is all new. Let me get used to it first.”
Garbo sipped champagne and talked with her friends while everyone in the club discreetly craned his or her neck to see if she would look at or talk to Dietrich. “The reported snubs between the Swedish actress and Marlene Dietrich were not apparent to this observer, who kept a pretty close watch. Marlene said afterward that she did nod to Garbo. But she did chide photographers for chasing her rival, ” wrote Carroll.
“That wasn’t nice,” said Dietrich. “Why didn’t you let her enjoy herself for the evening?” “They are trying to renew the old Garbo-Dietrich feud for publicity purposes,” wrote columnist Sidney Skolsky in the Hollywood Citizen-News. Dietrich was not a regular at Viertel’s salon but knew everyone who was. She had the same manager, Harry Edington, as Garbo.
The Scarlet Empress and The Painted Veil had both been box-office disappointments. This nightclub “act,” which got a great deal of press coverage, was in all likelihood an Edington-Viertel brainstorm meant to gild two birds with one story. It worked.
Source:
Mark A. Vieira, Greta Garbo - A cinematic Legacy (2005)