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MGM's Leading Ladies



Greta Garbo

Greta Garbo (September 18, 1905 – April 15, 1990) was a Swedish-born actress during Hollywood's silent film period and part of its Golden Age.

Regarded as one of the greatest and most inscrutable movie stars ever produced by Metro-Goldwyn-Mayer and the Hollywood studio system, Garbo received a 1955 Honorary Oscar "for her unforgettable screen performances" and in 1999 was ranked as the fifth greatest female star of all time by the American Film Institute.

Garbo and her MGM colleagues

(in treatment)
 

Norma Shearer

Edith Norma Shearer (1900 – 1983) was an Academy Award–winning Canadian-American actress. Shearer was one of the most popular actresses in the world from the mid-1920s until her retirement in 1942.

Her early films cast her as the girl-next-door but after her 1930 film The Divorcee, she played sexually liberated women in sophisticated contemporary comedies and dramas, as well as several historical and period films.

Unlike many of her MGM contemporaries, Shearer's reputation went into steep decline after her retirement. By the time of her death in 1983, she was in danger of being known only for her "noble" roles in the regularly-revived The Women and Romeo and Juliet or, at worst, as a forgotten star.

The Garbo Connection

 On   September 30, 1926,  Greta Garbo  attended  the  premiere  of the  King  Vidor  film  Bardelys  the  Magnificent  with  Howard
    Strickling, Norma Shearer, Irving Thalberg, and John Gilbert.

 During  a pool party from  Emil Jannings,  Norma Shearer  remembered holding  Garbo's attention, for about fifteen minutes, by
    diving gracefully into the pool and swimming vigorous laps: "I could tell she admired the way I swam, so I kept on swimming for
    Garbo.  Later that day we  posed together for a photograph with  Jannings.  She was really very cordial with me – and then,  after
    clasping my hand, she was suddenly gone."


Garbo and Shearer attending the premiere
of the King Vidor film Bardelys the Magnificent

 Norma Shearer  turned down the lead in  Torrent. Bell wanted Norma Shearer for the lead role of Leonora, the Spanish peasant
    who becomes an opera star. He had begun to cultivate Shearer (both on-screen and off) in a series of highly individual films but
    Shearer declined the part.

 She was offered of the part of Flaemchen in Grand Hotel.

 Norma Shearer  told biographer  Gavin Lambert  that she was  "doing a Garbo"  in  Idiot's Delight (1939), which was directed by
    none other than Clarence Brown..


Idiot's Delight (1939)

 When Greta arrived in Hollywood on September 1, 1925, the press titled her: Greta Garbo, the Norma Shearer of Sweden.

 

Lilian Gish

Lillian Diana Gish ( 1893 – 1993), was an American stage, screen and television actress whose film acting career spanned 75 years, from 1912 to 1987. She was a prominent film star of the 1910s and 1920s, particularly associated with the films of director D.W. Griffith, including her leading role in Griffith's seminal Birth of a Nation (1915).

Her sound-era film appearances were sporadic, but included a memorable role in the 1955 cult thriller Night of the Hunter. She did considerable television work from the early 1950s into the 1980s, and closed her career playing opposite Bette Davis in the 1987 film The Whales of August.

The Garbo Connection

 On April 21, 1927, Garbo  was visiting silent actress Lillian Gish on the set of Victor Seastrom's The Wind.

 
The photos were used and made for publicity reasons.

 Gish about the day  Garbo  lost her sister:  “I heard one day that she had lost her only sister,”  wrote Gish,  “and I sent her flowers
    and a note. Garbo [later] came to thank me, but she could not speak English.

    
Tears came to her eyes, but I could not speak Swedish so I put my arms around her and we both cried. I knew how I would feel if
    I had lost my darling sister and could not get to her from a strange, far land.”


Alva Lovisa Gustafson

 Stiller  and  Garbo  visited Victor Seastrom's on the  The Wind set. Stiller thought Garbo might learn from watching Gish perform,
    and maybe even from watching Sjöström. Garbo did learn a lot.

    Gish  was an education for  Garbo.  There could have been no more professional role  model  than  Gish,  carefully studying and
    rehearsing her role, always attentive to how the camera angles and lighting would most enhance each scene.

 Equally revealing to Garbo was the way Gish dealt with MGM, declining bad projects and eschewing publicity nonsense.

 As Garbo studied and spoke with  Gish  at work, a personal friendship was developing as well.  Gish seemed to understand the
    girl. "Garbo's temperament", she wrote later, "reflected the rain and gloom of the long, dark Swedish winters...."

 Gish was originally conceived for MGM's production of Anna Karenina which later became the Gilbert/Garbo classic, Love.


Gilbert/Garbo in Love

 Gish  suggested that camerman  Henrik Sartov  shoot a new screentest of  Garbo,  after Stiller's first one in Hollywood failed to
    impress. Thalberg agreed to this idea.

 

Jean Harlow

Jean Harlow (March 3, 1911 – June 7, 1937) was an American film actress and sex symbol of the 1930s. Known as the "Platinum Blonde" and the "Blonde Bombshell" due to her famous platinum blonde hair and ranked as one of the greatest movie stars of all time by the American Film Institute.

Harlow starred in several films, mainly designed to showcase her magnetic sex appeal and strong screen presence, before transitioning to more developed roles and achieving massive fame under contract to MGM. Harlow's enormous popularity and "laughing vamp" image were in distinct contrast to her personal life, which was marred by disappointment, tragedy, and, ultimately, her sudden death from renal failure at age 26.

The Garbo Connection

 Garbo  and  Gable  were almost paired again (after Susan Lenox, 1931) , in the forthcoming Red Dust. Production notes indicate
    the casting evolved from  Garbo  and  Adolphe Menjou  at first, to  Garbo-Gilbert, then Garbo-Gable, and finally to Gable and Jean
    Harlow.


Gable and Jean Harlow in Red Dust.

 In the mid 1930s,  Harlows  little dressing room was quite next to  Garbo's large and luxury room. Harlow often listened to funny
    dance tunes and loved it to hear them quite loud.  One day, she knocked at Garbo's door and asked if the music is too loud and
    Garbo said in a Garbo-ish voice:  "Nooooooo darling, i used to listened to loud and funny music too!"

 Harlow attended the Mata Hari premiere at Sid Grauman's Chinese Theatre in Hollywood on April 29, 1932.

 Garbo was also considered for the provocative  Red- Headed Woman (MGM, 1932), movie which later turned into a big success
    for Harlow.


Red-Headed Woman  (MGM, 1932)

 It is said that Garbo was good in doing a great and funny Harlow impersonation.

 

Joan Crawford

Joan Crawford

Joan (1905 - 1977) was an Academy Award-winning American actress. Crawford is named as the tenth Greatest Female Star of All Time by the American Film Institute. Starting as a dancer on Broadway, Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer Studios in 1925 and initially played small parts.

By the end of the '20s she became a famous flapper. Beginning in the 1930s, Crawford's fame rivaled fellow MGM colleagues Norma Shearer and Greta Garbo. She often played hardworking young women who find romance and financial success. These "rags to riches" stories were well-received by Depression-era audiences and were popular with women.

By the end of the decade, Crawford remained one of Hollywood's most prominent movie stars, and one of the highest paid women in the U.S. For her performance in Mildred Pierce, Crawford won an Academy Award and in the following years, achieved some of her best reviews. In 1955, she became involved with PepsiCo, the company run by her last husband, Alfred Steele.

After his death in 1959, Crawford was elected to fill his vacancy on the board of directors but was forcibly retired in 1973. She continued acting regularly into the 1960s, when her performances became fewer, and after the release of the horror film Trog in 1970, retired from the screen.

The Garbo Connection


Garbo and Crawford in Grand Hotel

 In 1930,  Garbo  was  the  biggest  Hollywood  star.  One day in 1930,  Garbo  was riding  by  in  Sörenson's  second  hand  Buick
    convertible on the MGM lot and saw Joan Crawford drive by in her chauffeur-driven limousine. Garbo turned to her friend Wilhelm
    Sörenson and laughed:  “I read last night that I was queen of the movies,  and look at me now, riding around in this old car.  Gott!
    What a funny joke!”

 “Greta Garbo was my favourite actress in the world,” said Crawford. “For three years I'd come out of my dressing room every day,
    run past  hers,  and  call  ‘Good morning!'  I could hear her deep voice talking to her maid but she never did speak to me. I'd see
    her occasionally on the lot.

    Never a word! Then one morning there was a rush call. Someone was ill and couldn't show up for still art in the gallery. Wouldn't  I
    come and pose in their place? I went sprinting past Garbo's dressing room in such a hurry I forgot to yell ‘Good morning.' An     instant later I heard her door open, then a resonant ‘Allooooo!'”

 
Garbo and Crawford photographed by E. Steichen

There is much more about Garbo and Crawford. you can read it  HERE!

 

Jeanette MacDonald

 

Jeanette MacDonald ( 1903 –  1965) was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier  and Nelson Eddy.

During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (The Love Parade, One Hour With You, Naughty Marietta and San Francisco), and recorded extensively, earning three gold records.

She later appeared in grand opera, concerts, radio, and television. MacDonald was one of most influential sopranos of the 20th century, introducing grand opera to movie-going audiences and inspiring a generation of singers.

The Garbo Connection

 In  the  summer of 1936,  Garbo  wanted  to  move  again.  Mercedes  de  Acosta  had  her  eye  on  a  house  rented  to  Jeanette
    MacDonald,  and  Garbo  liked  it  too,  but  MacDonald  had  no  plans to vacate until Mercedes called upon her psychic forces to
    spook the singer into moving out. Garbo got the house.

 Jeanette  MacDonald,  had met  Greta  on numerous occasions at the home of Ernst Lubitsch,  but she experienced a chill when
    both actresses were working at Metro. “It seemed a little childish ... a little silly, I thought,”  MacDonald said,  “but it was indicative
    of her peculiar anti-social attitude.”  
At parties,  she observed,  Garbo  preferred to stay in her comer with  Salka Viertel and spoke
    almost exclusively in German.

 Garbo  had  been  moved  by the elegance and charm of  Ernst Lubitsch's  The Love Parade (USA 1929).  A picture with  Maurice
    Chevalier  and  Jeanette  MacDonald.  After  she  saw  the  film  she  insisted  on  buying  an  armful  of roses and taking them to
    Lubitsch's home.


Chevalier and MacDonald in Ernst Lubitsch's The Love Parade

 
 
 
Introduction
  
 
Louis B. Mayer
  
 
Irving Thalberg
  
 
William Daniels
  
 
The MGM Crew
  
 
The Directors
  
 
The MGM Contracts
  
 
The Garbo Strike
  
 
The MGM Image
  
 
MGM's Leading Men
  
 
Adrian Gilbert
  

 

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