Javascript DHTML Drop Down Menu Powered by dhtml-menu-builder.com

 



QUEEN CHRISTINA

(USA 1933)

 

ALTERNATE TITLES

Königin Christine (GERMANY)
La Reine Christine (FRANCE & BELGIUM)
Drottning Christina (SWEDEN)
Christina (SWEDEN)
La Regina Cristina (ITALY)
Królowa Krystyna (POLAND)
Rainha Christina (BRAZIL)
Dronning Christina (DENMARK)
Kuningatar Kristiina (FINLAND)
Ha Malka Christina (ISRAEL)
Raínha Cristina (PORTUGAL) 
La Reina Cristina de Suecia (SPAIN)
La Reina Cristina (VENEZUELA)

 

FILM SCENES

   
 
 

 

COMPANY

Metro-Goldwyn-Mayer (MGM)
MGM Production: 688

 

CREDITS

Directed by Rouben Mamoulian.
Produced by Walter Wanger.
Screenplay by H.M. Harwood and Salka Viertel, from the original story by S.Viertel & Margaret P. Levino.
Dialogue by S.N. Behrman.
Photographed by William Daniels.
Edited by Blanche Sewell.
Musical score by Herbert Stothart.
Recording supervised by Douglas Shearer.
Arc Direction by Alexander Toluboff.
Interior decorations by Edwin B. Willis.
Gowns by Adrian.

 

TECHNICAL SPECS

97 Minutes

 

CAST

Greta Garbo, John Gilbert, Ian Keith, Lewis Stone, Elizabeth Young, C. Aubrey Smith, Reginald Owen, Georges Renavent, David Torrence, Gustav von Seyffertitz, Ferdinand Munier, Lawrence Grant, Akim Tamiroff, Cora Sue Collins, Muriel Evans, Sarah Padden, Paul Hurst, Eddie Gargan, Edward Norris, Barbara Barondess, Tiny Sanford, Fred Kohler...

 

GARBO'S CHARACTER 

Queen Christina of Sweden

 

FILM POSTER


More  HERE!

 

SYNOPSIS

Queen Christina of Sweden (Greta Garbo) is to marry Prince Charles (Reginald Owen), hero of the armies. Her former lover, Magnus (Ian Keith), wants the marriage arranged. Knowing Christina does not love Charles. Christina, however, declines. Saying she is not yet ready for marriage. Christina learns that an ambassador from Spain Don Antonio (John Gilbert) is to arrive. She dons boy's clothes and goes to an inn where he will stop. When Antonio learns there is no vacancy, he shares a room with Christina, thinking she is a boy. He soon realizes she is a woman, and in the next few days they fall in love. She wants to marry him and go to Spain, but he discovers she is the Queen and tells her that he has been sent to arrange a marriage between her and the King of Spain. When Don Antonio later meets her officially and sees her often, Magnus stirs up the populace against him. Christina sends Don Antonio away and then abdicates. When she arrives at the place where she is to meet him, she finds him dead, killed by Magnus. She leaves for Spain with his body, never to return.

 

QUOTES FROM THE FILM

Queen Christina: "I have been memorizing this room. In the future, in my memory, I shall live a great deal in this room."

 

AUDIO-FILE


More  HERE!

 

MOVIE PROGRAM


More  HERE!

 

MOVIE ADVERTISMENTS


More  HERE!

 

PREMIERED/RELEASED

Premiered in USA: December 26, 1933 (Astor Theatre in New York)
Release Date in Germany: 24.10.1934 / Sept. 1951. – TV : 07.12.1968 / 25.03.1972 (ZDF).
Austria: 1934 
Germany: 1934 
Finland: 11 March 1934 
Denmark: 17 August 1934 
Japan: 16 November 1934 
Finland: 23 April 1965 (re-release)
Greece: 6 July 2006 (re-release)

 

LOBBYCARDS


See   HERE!

 

PRODUCTION

Production dates: August–October 1933
Production Location: Hollywood/Los Angeles/USA

 

MOVIE STILLS

The Stills were made during the production by Milton Brown . 109 Movie Stills were shot.
   
More  HERE!

 

TRIVIA

  Queen Christina was Garbo's the first sound movie with John Gilbert.

  It was Gilberts last film with Garbo.

  Laurence Olivier was originally signed to play Don Antonio.

  Gilbert was not successful in sound films and died a few years later, despondent over his career.

  This film marked Lewis Stone's seventh and last appearance with Greta Garbo.
      He had made more pictures with her than any other actor.

  John Barrymoore and Leslie Howard were both suggested to play Garbo's lover in the film.

  Garbo requested Laurence Olivier after seeing him in Westward Passage.

  Katharine Hepburn, a big Garbo fan, offered to play an extra in the film, for free, just to be in Garbo film.

  It's is said that Greta and director Rouben Mamoulian had a Love affair, while filming.

  Mamoulian claimed that Queen Christina was Mussolinis and Stalins most favorite film.

  Filmed in 68 days.

  $250,000 was Greta's salary.

  Leslie Howard was reportedly Garbo's first choice, but he passed on the opportunity.

  For  the  famous closing shot  of  Greta Garbo  at the prow of the ship, director Rouben Mamoulian had wanted the camera to begin with a long
      shot,  and  then,  in  one  unbroken  take,  gradually  dolly  in  on  a  two  thirds  close-up  of  Garbo's  face,  holding on her at the end of the shot.
      Unfortunately,  with  the  camera's  48mm  lens  that  close  to  the  human  face,  pores  tend  to  resemble  craters  on the surface of the moon.
      Borrowing on aspects of the magic lantern,  Mamoulian  devised  a  large,  ruler-shaped,  glass filter strip that was clear at one end,  becoming
      increasingly more diffused along its length. With this glass filter mounted in front of the lens, as the camera moved in on Garbo, the glass strip
      was gradually drawn through the f ilter holder,  beginning with the clear end,  and  ending  with  the  diffused end (close-up),  softening  Garbo's
      facial features with more flattering results.

  The  scene   where  Christina  goes  around  the  room  at  the  inn,  remember  the  night   she  spent  with  her  lover,  was  choreographed  so
      meticulously that Greta Garbo performed the scene to a metronome.

  Since  John Gilbert was falling out of favor with the majors as a leading man,  Greta Garbo  was doing him a  big favor by requesting him as the
      male lead. Unfortunately, the film did not help to re-establish Gilbert, and soon after he dropped out of pictures altogether.

 

THE REAL CHRISTINA OF SWEDEN

Queen Christina (1626–1689), later known as Maria Christina Alexandra and sometimes Count Dohna, was Queen regnant of Sweden from 1632 to 1654. She was the only surviving legitimate child of King Gustav II Adolf (the king had already had two sons, one of whom was stillborn and the other lived only one year). As the heiress presumptive, at the age of 6, she succeeded her father to the throne of Sweden upon his death at the Battle of Lützen (1632) during Sweden's intervention in Germany in the Thirty Years' War. After having converted to Catholicism and abdicated her throne, she spent her latter years in France and Rome, where she was buried in St. Peter's Basilica.

 

QUEEN CHRISTINA CARICATURE


More  HERE!

 

BACKGROUND STORY

(in Treatment)

 

BUSINESS DATA

Budget: 1.144.000 Dollar
Gross: USA: 767.000 Dollar; Non-USA: 1.843.000 Dollar; World: 2.610.000 Dollar.
Profit: 632.000Dollar.
Garbo's Salary: $250,000

 

PORTRAITS

Clarence Sinclair Bull made the portraits of Garbo for the film on October 25, 1933.
   
More  HERE!

 

REVIEWS

The New Yorker:

The Garbo film of the season, with the lady doing handsomely, though the story of old Sweden sags a bit.
Walter Ramsey for Modern Screen:

Triumph for Garbo! One of the great pictures of the past few years, this historical epic makes a sustained drive for artistry. Besides, we have Garbo and Gilbert, very good indeed. One of the best scenes discloses Garbo, travelling as a man, and stopping at a wayside inn, there to be placed in the same room with a nobleman from Spain (Gilbert) because all other rooms are occupied. (No reason to censor and every reason to try). One does not resent the situation because it is so beautifully handled. The picture is an unending series of exceptional scenes, packed with fine characterizations and good direction. A triumph for Garbo, a come-back for Gilbert, with an orchid for Messrs. Stone and Keith. The production is in a class by itself, so you cannot afford to miss it.

Photoplay:

Garbo, as Sweden's stately sovereign of the seventeenth century! The magnificent Garbo, after an absence of over a year, makes a glorious reappearance on the screen. Garbo, enchanting as ever, is still enveloped by her unfathomable mystery. In the opening scenes, little Cora Sue Collins effectively impersonates Garbo as a child. The supporting cast is equal to every situation–and that's saying a lot when Garbo is creating the situations.

 

SIMILAR FILMS

(in Treatment)

 

FAN ART

 
See more  HERE!

 

QUEEN CHRISTINA WAXFIGURE


See more  HERE!

 

PICTURE FROM THE FILM-SET

Director Cukor and Garbo

More 
HERE!

 

STORY FROM THE FILM-SET

(in Treatment)

 

ALTERNATE SCENES

An alternative ending was filmed but never used.

 

QUEEN CHRISTINA GOWN

A Queen Christina gown. I t is in a Swedish museum today.

See more "Garbo Gowns" HERE!

 

HISTORICAL INACCURACIES

MGM hired a historical adviser, Colonel Einhornung, whose job was to ensure  that Swedish royalty would not take offence to the film....this the colonel did, but he was ignored by Mamoulian and company. The colonel had many complaints about the film's historical inaccuracies, among which  were the way the Queen is quick to go to bed with a stranger and the fact that  the Diet ought not to be seen to clamour for war, as is the case in the early scene of Christina and her fire-eating courtiers. Here are a few more:

  Garbo is more attractive and feminine than the real Christina was.

  Queen Christina did not abdicate for love.

  She is not known to have disguised herself as a man and spent several nights with a lover 
      while queen. She most likely died a virgin, and was always determined never to marry.

  Pimentel did not die in her arms.

  Christina is not at this point permanently exiled from Sweden.

  Catholicism is 'not' referred to, in the film, she renounces the throne not because of Catholicism
      or unwillingness to marry, but because she wishes "to be a human being" an  to marry Don Antonio.

  Nobles did not wear light-coloured hose and short wigs.

  Swedens cold climate would not have the abundance of fruits as shown at the inn.

  Gustavus Adolphus was not old when he died on the battlefield of Lutzen, he was 38.

 

QUEEN CHRISTINA DOLL

 
More  HERE!

 

NICI'S WALLPAPER


More  HERE!

 

DVD/VHS

Available on DVD & VHS.

See HERE!


 
SOURCE
 
 
Greta Garbo: A Cinematic Legacy – by Mark A. Vieira
(Harry N. Abrams, Incorporated, New York 2005).
This is the best and most accurate book
about Garbo's-Films.


 
 
OTHER SOURCES
 

Karen Swenson – A life Apart
Barry Paris – Garbo
IMDB – International Movie Database
plus many other books, magazines and internet sites.
   
  
Film - Introduction  

 

... nach oben

© Copyright 2005 – www.GarboForever.com – Germany – TJ & John – The Webmasters